June’s entry is an expansion of my monthly column (“Nature’s Note”) in “Sam News,” our in-house publication.
Space is always limited while my blogs are as long as my loyal webmaster, George Dumas, has the time and patience for converting my words into the WordPress format. It’s no secret that I am no fan of fog. But now with my declining eyesight, my world is enveloped in a perpetual haze and on foggy mornings we’re all in it together.
It’s only on the clear days that I know how much I’m missing. But at 93, I am every day grateful for a good mind and the ability to express and feel gratitude for what I still have.
It is through song and call note that I now recognize most birds. And I’m helped along by general body shape, where and how they are feeding and whether they prefer the ground or trees.
Even without my disability, it behooves me even if I don’t love fog, to at least learn to appreciate it by understanding how fog is formed and its likely behavior.
Today is June 1st. We are halfway between the two foggiest months of the year which locals call May Gray and June Gloom. When the prevailing northwest winds pass over the even colder ocean, the air condenses into tiny droplets producing the fog.
But it’s not as simple as that. In the northern hemisphere, the earth rotates counterclockwise (the opposite in the southern hemisphere). Because of this rotation, wind blowing from the northwest (our prevailing summer wind) curves to the right. As the wind curves to the right, it sweeps off the top layer of water causing the upwelling of the deep, colder water. When the relatively warmer wind passes over the cold, upwelled water, fog is formed.
This rotation, called the Coriolis Effect, has a profound effect on tides, bodies of air and even the behavior of storms. It causes our rainstorms moving in from the Pacific to rotate counterclockwise, so that the winds of an approaching storm, blow from the south.
Depending on the topography, fog can put on a dramatic show. In the Bay Area, fog building up like waves over the Sausalito Hills spills over the lee slopes. Unimpeded, fog moves like a river through the Golden Gates, the only complete break in the coastal hills. To the north and south the fog seeks out gaps in the hills as it moves inland.
When the fog enters the Bay through the Golden Gate part of of it aims for the Berkeley Hills. The rest turns left drawn irresistibly toward the heat and low pressure over the Delta and the Sacramento Valley. The fog is often accompanied by strong cold winds that are notorious in summer afternoons rushing through the canyons of tall buildings in San Francisco.
And there were those mornings in Berkeley when the fog stayed low and my hill rose above it like an island in a gray sea.
The fog varies in its extent. It can spread far out to sea. It can be a narrow ruffle covering just the beach or it can be drawn far inland by the warmer temperatures. It may flow at night into coastal valleys, and in foggier periods it will surmount coastal ranges, visiting even inland valleys.
Most days the fog will retreat offshore by midday, but other times the marine layer persists for days on end seriously depressing the spirits.
Meteorologists call this cloud type status. It’s usually made up of rather smooth layers of clouds that can sometimes meet the ground. The fog can either be “dry” or it can produce drizzle especially under trees, enough to register in a rain gauge. We need any moisture in this semi-arid climate of ours where longer periods of drought are a part of climate change.
Even though I seem to thrive on those days which begin with sun, I am now gratified, while still in bed on a windless dawn to hear the drip, drip of condensed fog falling off leaves and needles.
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Tom Ginn and his wife Sherry moved into Samarkand in July 2011 from Los Gatos, a leafy residential community south of San Francisco. Before retiring Tom had worked as a software engineer. He was already a serious amateur photographer using a top-of-the-line Canon.
Along with recording the life of the family, including a son and daughter, he was also adding landscapes to his collection. “I haven’t shot a roll of film since 2003; digital photography and the computer give me so much more versatility,” he says.
But those who know Tom appreciate his outstanding patience as he waits for just the right shot to produce a memorable portrait of an elusive insect, a butterfly with its erratic flight or a shy bird as it comes to the bird bath.
The first bird photos were taken over several months at the bird baths behind Ann and Bob Allen’s duplex, located over the fence at the southernmost end of the EastView apartments. The duplex, Oakcrest, has the ideal birding location, sheltered by oaks up the steep slope of Oak Park.
The birds are drawn to the area by Mission Creek and its forest of sycamores and Coast Live Oaks. Ann has arranged a welcoming collection of shallow pot bottoms filled with water, surrounded by mostly potted native plants. When it’s hard to find a good variety of birds elsewhere at the Samarkand, you can count on being rewarded at Ann’s bird baths.
When a large sandstone boulder (over the fence at the top of the Native Plant Garden) became a bubbling bird bath, the birds had a second choice for their drinks and baths. The first group of photos is in Ann’s garden, and the second larger group is at the “Bubbling Fountain.”
The birds are identified by species accompanied by a few comments. Some of the photographs have been made into greeting cards and can be purchased at the Samarkand gift shop.
(1) White-crowned Sparrow. A group of these sparrows spend the winter in the Native Plant Garden often singing.
(2) Immature White-rowned Sparrow. In April the group flies to Northern Alaska where they nest in the dwarf willows before returning to our garden in October.
(3)(4) Townsend’ s Warbler. Another winter bird with especially bright plumage.
(5) Orange-crowned Warbler. Year-round bird.
(6) Cedar Waxwing. This lovely bird is a nomad traveling in flocks from place to place in search of berries. They are sometimes in the company of Robins.
(7) Group of Cedar Waxwings. In the spring they will head north to conifer forests where they will briefly breed before heading back on the road again.
(8) Nashville Warbler. An uncommon visitor.
(9) Ruby-crowned Kinglet. A small, energetic bird who reveals his bright crown when agitated. He is another of our winter residents
(10) California Towhee. A big sparrow who is a year-round resident.
(11) Yellow-rumped Warbler. Developing its breeding plumage before heading north.
(12) Hermit Thrush Another winter resident who heads for the Sierra in the spring to sing its glorious song.
The sandstone fountain, we call “Bubbling Rock” in the foreground overlooks the Native Plant Garden.
(1) The Anna’s Hummingbird is a year-round resident and the largest of our local species.
(2) & (3) Adult, female, and immature Lesser Goldfinches.
(4) Orange-crowned Warbler. Several breeding pairs sing almost continuously above Oak Park at Samarkand in the spring.
(5) Male Dark-eyed Junco. Juncos, who nest on or near the ground, are one of our most abundant species.
(6) Male House finch(L) and Pine Siskin appear to be comparing stripes.
(7) Like the crows, jays are members of the Covid family with similar aggressive ways.
(8) A wet Orange-crowned Warbler revealing its orange crown feathers.
(9) A titmouse will occasionally build a nest in a bird box.
(10) Male Lesser Goldfinch, one of the most abundant year-round birds.
(11) Probably an Allen’s Hummingbird or possibly a migrating Rufous Hummingbird.
(12) Four Nutmeg Mannikins. They are escaped cage birds which have successfully naturalized.
Early November The resident hawk Repeats its urgent calls. Where is the rain? The temperature is above eighty. Night falls with red skies Color caught by the high cirrus clouds Too thin for rain.
With darkness comes The cricket stridulations, The final notes of the fading season
After midnight I step out on my porch, Looking high to the south. Orion waits, trailed by Sirius, The hunter’s faithful dog.
Venus will soon separate itself from the rising sun And before month’s end will shine alone In the eastern sky.
Once I’d imagined spending my final years In the town where I was born In a tiny house of my own design One room only With alcoves for bathing, sleeping, fixing tea A steep roof with a skylight or two A generous porch under a sheltering eave High in the Berkeley Hills,
But instead, my final years Will be spent in Santa Barbara in a spacious apartment One of many apartments For elders like myself, Close to family, a hedge against loneliness.
The geographer in me Wants to tell you That Santa Barbara is located At the southern end of central California. Maybe 50 miles below Pt Conception Where the coast bends inland Thanks to the San Andreas Fault Flexing its muscles. So now the coastal mountains run From east to west, and most confusing of all You look south if you want to see the ocean.
For me, the ocean has always been to the west, And the direction of the setting sun Where if you sail far enough You’ll bump into China.
The high Santa Ynez Mountains to the North shield the town from certain cold draughts. But in downpours, the mountains Shed all manner of debris From silt to sandstone boulders As big as cars.
Now as an amateur geologist, I’ll tell you that this knoll I call home, is surrounded By flatter land referred to As an alluvial fan, Crossed by creeks that Only show up when it rains.
Locals brag about the mild climate Forgetting about those vehement moments Of gale-force winds Called sundowners. Or what about the microbursts Which have been known to knock a plane Out of the sky?
And there’s nothing mild about my landscape. Never still — it twists, heaves and cracks. Worse, it is said that all the commotion Is bringing Los Angeles ever closer.
Once we were covered by a warm sea With dinosaurs wandering the shallows. Later mountains rose up, Full of seashells.
Now it seems that our future is drought.
I look out the east-facing windows Down into Oak Park with its Pale limbed-sycamores and faded foliage.
It’s a peoples’ park With mariachis on the weekend Shouting children, Birthdays with piñatas Quinceaneras, sometimes a funeral
Look up to the first ridge To St. Anthony’s towers And to the two rosy domes Of the old mission.
Higher yet is the bulk Of the Santa Ynez mountains and the conical shape Of my mountain – Montecito Peak See how the angled sun Deepens the canyons.
Slide your eyes sideways To where the mountains Slip into the blue line of the sea.
Now face south Over our native garden Bordered oaks from the park To the silent creek bed. I look for hummingbirds, bush rabbits and worry about coyotes
The east hills, called the Mesa Holds off the fog Until after dark, when the hills are breached.
Oh yes, my garden off the front door The narrow porch of a garden, Hung with red geraniums And softened by pots of ferns
I lie in my bed beneath the windows Hoping for wind to move the chimes. I lift my head at dawn. Do I see the silhouette of the mountains Against the lightening sky?
Or are we cocooned in the fog That drips from trees Almost as welcome as rain.
And what is the first bird this morning? The clink of the towhee The querulous wren The sweet ring of sparrows’ song?
Now you are hearing the voice of the birder Leaning on every song In the absence of good eyesight.
Acorn woodpecker, flicker With strong beak and loud call, Or the relentless caw of the black crow, Boss of the neighborhood?
Will I be lucky enough To have an owl’s hoot rouse me In the early morning hour?
I feather my nest With a down comforter Books, Bouquets of pungent sage, Baskets of lichen.
How do I finish this short tale? A day ending, I suppose. With the dark coming on by five A tale of rain arriving?
A gusty wind from the southeast Testing itself.
In the early morning hours Between midnight and dawn The rain falls I smell it first And then sweet fragrance of hope
Could this be The beginning of a season Of abundant rains Enough to end the drought?
COMING IN THE SPRING: The Best for Last: The Nature of Santa Barbara by Phila Rogers. Includes the blogs and a number of short pieces.
For the last four years, I have written about Santa Barbara’s seasons, landscapes, and sometimes history. But what has really commanded my imagination during all this time have been the Channel Islands.
On infrequent childhood visits to Santa Barbara during the summer to visit my grandmother’s apartment, two blocks from the beach, or my cousin’s house in the hills, I usually came alone from Oakland on the Southern Pacific Daylight train.
I have no recollection of seeing the islands. Even though mountainous Santa Cruz Island was only 25 miles offshore, it, and its neighboring islands, were usually hidden by a bank of fog.
What I remember most was the beach, the bright city lights from my cousin’s house, the pale flakes of ash that my aunt said were coming from a fire in the mountains.
Not until I was an adult, when two of my three children settled in Santa Barbara, and I often flew south to visit them, did the islands became familiar to me. Most often, the plane approaching the airport made a wide arc over the ocean and the islands so as to land into the prevailing wind from the northwest.
From then on, I was eager to find some way of getting out to the islands. Santa Cruz Island, the largest, was mostly privately owned by the Stanton family of Los Angeles. The second largest island, Santa Rosa Island was owned and operated as a cattle ranch by Vail and Vickers, whose boats sometimes brought cattle to the mainland at Santa Barbara. San Miguel, the northernmost island off Point Conception, a windy place surrounded by a turbulent sea, was famous mostly for its huge population of seals and sea lions, drawn to the cold, upwelled water rich in nutrients.
I remembered from the family stories that both my mother and father as children had visited Santa Cruz Island. Before she died in 1981, I asked my mother to tell me her story.
On lined yellow paper, she wrote in her spidery hand: “When I was a small girl the trip to the Santa Barbara islands was a great adventure. One time my mother, grandmother and little brother went to Santa Cruz Island in a fishing boat. As The Channel was very rough that day, the deep dips into the troughs of the waves were terrifying to all of us. The kindly Italian fisherman tried to reassure us but we did not retain our equilibrium until we landed safely on the island.
At that time, the only accommodations on Santa Cruz Island consisted of tents with wooden floors.* At night we could hear the wild hogs rooting around in the under brush which was scary. The food in the dining tent was plain but good with plenty of fresh fish.
A highlight of our stay was the trip into the blue caves. One entered their inner fastnesses in row boats. These caves were accessible only at low tide and in quiet waters. Within them, the water was a brilliant blue which became darker the further in we ventured. It was thrilling to trail one’s hand which yielded a ghostly phosphorescence. Back home again I had much to tell my less venturesome playmates.” – Elaine Adrian Willoughby
I knew less about my father’s trip (or trips) to Santa Cruz Island. There was something about a borrowed Boston whaler, and that the wild boar they shot was so tightly wedged in a narrow canyon that they had to butcher it on site and deliver it piecemeal to the boat.
I can imagine that Santa Barbara in the early 1900s, with less than 10,000 inhabitants, was an ideal place for a boy to grow up. He and several co-conspirator built a shack up San Roque canyon until a wild-fire destroyed it. I have a small photo of him as a young teenager with his dad on a mountain trail, he with high boots, a slouch hat, and a canvas rucksack hanging heavily off his shoulders.
Now it was my turn.
TWO WHO CELEBRATE THE NATURAL WORLD
HUGH RANSON – birder, teacher, and writer who writes the Saturday column “Bird Watch” for the Santa Barbara News Press. He began his bird watching as a boy in England.
In the last five years, he has taken up the study of dragonflies and during lunch breaks can often be found at a local pond with his net and camera.
Be sure and read an except from “Bird Watch” in the Blog “This Time for Work.”
BILL DEWEY Bill has been photographing the California landscape since the early 1970s and has been flying since the 1980s. Some of his favorite subjects include the California Channel Islands, Carrizo plain, Baja California, and the rural California landscape. His work is widely published and shown in various galleries and museums. His aerial photos begin each my Santa Cruz Island blogs.
The Archipelago of the four Northern Channel Islands included westernmost San Miguel Island, Santa Rosa Island, the mountainous Santa Cruz Island, and finally little Anacapa with its “tail” of broken islets trailing behind. Now that I’ve settled in Santa Barbara where I most likely will conclude my life, I view the islands from the mainland, always drawn outward toward them. I see them from my daughter’s house high on the hillside above Mission Canyon, most often reclining on the horizon in their bed of haze. Sometimes the fog obscures them from view altogether, or there are times when the vapors are swept away by a dry north wind, and I can clearly see their cliffs and coves.
Over the years I’ve collected my own experiences of the islands. Last year, I crossed the choppy Channel on an Island Packers boat out of Ventura Harbor. I was lucky enough to have secured an invitation to the annual mass, thanks to Marla Daily, the head of the Santa Cruz Island Foundation.
But my awareness of the islands, particularly Santa Cruz Island, began as a child when I read The Channel Islands of California, by Charles F. Holder, published in 1910 which I claimed from my parents’ library. The book with its turquoise-blue linen cover and the decorative drawings of the flying fish is now on my Santa Barbara bookshelf. I still love to reread the description of the ride in a horse-drawn carriage up the wild canyon to the Central Valley from the anchorage at Prisoners’ Harbor.
Quoting from the book: “From the sea, Santa Cruz Island is a jumble of lofty hills and mountains, with deep gorges and canons winding in every direction.
Hidden away in the very heart of the island is an ideal ranch, with a pronounced foreign atmosphere, in a climate as perfect as that of Avalon to the south.”
“Seated in the trap, with our host holding the reins, we turned into a gorge… the road wound upward; the horses now splashing through the summer stream beneath gnarled and picturesque oaks, now out into the open, where the sun poured down through rifts in the cañon beneath a sky of tender blue, plunging into the narrow cañon again, where walls grew lofty and precipitous, shutting out the glare of sunlight; …”Three miles of this, and the charming canon road came to an abrupt end. The canon sides and the mountains suddenly melted away, and the horse dashed into a long, rolling valley, where the air was like velvet on the cheek and an incense of flowers and vines filled the nostrils.
But last Sunday it was in the cab of battered green truck driven by one of Marla’s relatives. Several trucks of various vintages were waiting for passengers who had disembarked from the boat tied up at the end of the green trucks brought us up from the boat long pier. I carefully climbed up the ladder, aided by the crew, to the rough planks of the pier. I was more uncertain than usual because I had fallen on the deck of the boat when a sudden lurch had tossed me down on my back.
I’d been pulled back upright without apparent injury though my confidence in staying upright had been challenged.
The streambed was dry the first mile or so but then we encountered water. We forded the stream several times “before the canyon sides and the mountains suddenly melted away.”
It was different from when Holder had made the same trip a least a hundred years earlier. No longer a working ranch, most of the island now belongs to the Nature Conservancy. The vineyards which once traced the contours of the hills had been removed. Gone were the horses, cattle, and sheep. The ranch house was no longer ornamented with the iron grilles forged in the ranch forge.
The people this day were mainlanders who had come to enjoy the annual festivities, attend mass, drink wine and feast on the barbecue before returning to the mainland on the four o’clock boat.
A trip on Island Packers from Ventura to Santa Cruz Island
I mostly kept to myself, listening for bird songs and calls and finally spotting an Island fox. Mostly I tried to recapture in these dry hills the island of my dreams.
THIS TIME FOR WORK
(First published as “Island Exuberance” for Santa Barbara Magazine spring 94)
I’m drawn to all islands, but especially to those that lie off a mainland shore, like the Channel Islands. At times they beguile you, half hidden behind veils of fog, and at other times they abandon subtlety, revealing in dazzling detail their pale sea cliffs and shadowed canyons.
I don’t pretend to understand the power these islands have on me. Maybe it was the epic tales of sea voyages and island landfalls that fueled my imagination as a young reader. Or the stories told by my parents, who were raised in Santa Barbara. I made my first crossing to Santa Cruz Island, the largest island of the northern group, 25 years ago on a three-masted schooner. Since then I have managed to return often, usually as a participant in natural history groups or as a Nature Conservancy volunteer. Last spring, I volunteered as a plant monitor, and saw the island once again, this time from the back of a jeep as we lurched over ridgetop dirt roads on our way to inventory plants.
To the north was a mountain range of ruddy-colored volcanic rock. To the south toward the open sea rose a conical mountain peak of dazzling white rock know as the Blanca Volcanics. The island is, in fact, made up of two disparate land masses, that came from different directions and are sutured together by a fault know as the Central Valley. It is not hard to believe that this wild jumbled Technicolor landscape is still on the move, sliding northward toward the Aleutians. Some 18,000 years ago when the ocean level was lower, all four islands of the northern group were joined together in one super-island scientists refer to as “Santarosae”. Through the islands’ evolution many configurations developed, but they have not been joined to the mainland, at least not in recent geological times.
The plants and animals we see on Santa Cruz Island today came on the winds, were carried by ocean currents, or were brought ashore by human visitors. Salamanders and other stowaways came ashore on the same log rafts that the Chumash fashioned into canoes. Once on the island, many animals and plants have evolved distinctive forms
On our trips around the island, we saw the little island fox that weighs barely three pounds. Other species are larger than their mainland cousins – examples of what scientists call gigantism. The Santa Cruz Island jay, for example, is bluer and 25 percent larger than the mainland Scrub Jay. Toyons and elderberries are shrubs or small trees on the mainland, but they can grow to 40-60 feet on the island. Maybe it’s the temperature, moist climate or lack of competitive species. I call it island exuberance. There are fewer species too, fewer kinds of birds, two types of snakes, and no burrowing animals at all. The four terrestrial animals are endemic, meaning they are found no place else.
This article and photo was excepted from “Bird Watch,” published each Saturday in the Santa Barbara News Press and written by Hugh Ranson.
Santa Cruz Island: the California Galapagos
I recently ventured out to Santa Cruz Island in search of migrant birds. While I didn’t see a great variety of migrants, there were enough resident species to keep me well entertained. Island foxes, which have made quite a comeback, trotted about throughout the day, seemingly unconcerned by human intrusion. Another island endemic, the island scrub jay, was much in evidence.
Hundreds of birders venture out to the island each year to see the jay. Why? It’s a species found nowhere else on earth. The island scrub jay was once considered conspecific with the California scrub jay, the familiar jay found commonly along our coast. It was officially recognized as a separate species in 1998. It is larger, much more brilliantly blue, has a larger beak, a different voice, and different social habits than its coastal cousin.
There are at least a couple of theories as to how the jay made its way to the island and began the slow differentiation from the mainland species. Jays are weak fliers and do not travel across large bodies of water. One thought is that jays made their way by hitching rides on floating vegetation. Another is that during a period of glaciation, when sea levels were lower, jays were able to cross the much narrower channel. At any rate, it is thought island jays have been isolated from the mainland for over 150,000 years.
Santa Cruz Island has a healthy population of jays estimated at 2,300 individuals. However, this population is considered vulnerable because of the small area of the island. There is the constant danger of fire, and more menacing still, the threat of West Nile Virus, to which corvids (jays are in the crow family) are particularly susceptible. Because of this latter threat, many of the jays have been captured and vaccinated.
It seems the island scrub jay is perhaps even more remarkable than we realized. Recently, biologist Kate Langin made a discovery that turned a theory of evolution on its head. She found that there are two separate populations of jays on the island, one that favors oak woodland, and one that inhabits pine forests. The oak-loving jays feed largely on acorns and have evolved shorter, stouter bills. The pine-inhabiting jays have longer, narrower bills, adapted for extracting pine nuts from pinecones. Even where pine and oak woodland are mere yards apart, the two populations appear to remain separate.
Charles Darwin theorized that in order for species to differentiate, like the famous Galapagos finches, there needs to be geographic separation. The island jays appear to be the first known instance where this theory doesn’t hold.
If you haven’t yet made it out to Santa Cruz Island, it’s time you did! Island Packers of Ventura run daily trips to the island. It takes a little over an hour to reach the island, and there are excellent opportunities for viewing marine mammals and birds on the crossing. There are two anchorages served by the company, Scorpion and Prisoners. You have an excellent chance of seeing the jay at Prisoners. It used to be that they were rarely seen at Scorpion, but in recent years they have become more common there, frequently foraging in the campground. I saw several there on my last visit. Scorpion also has many choices for coastal walking trails
The scalloped-edged ironwood leaf resembles the splayed, scaly foot of some prehistoric bird. The light ripples as the tall trees sway in the sea breeze. In the presence of these shaggy-barked survivors, you can imagine these to be sacred groves. Islands have a way of compressing — and enlarging – human emotions, and island tales are replete with mysterious and sometimes tragic human stories. In the singularity of an island, you confront your own separateness, you own uniqueness. It’s been almost a year since my last island visit. Every day here on the mainland, I climb the hill behind my house to look seaward, hoping for a glimpse of the dark shapes on the horizon – elated when I can see them, a little lonely when they are obscured by fog or clouds.
The Island Shrub-Jay was once thought to be a sub-species of our common coastal California Shrub-Jay, but now is recognized as a separate species. The Channel Islands have been separated for eons from the mainland. Jays being weak flyers, and with 25 miles of channel separating them, the Island Shrub-Jay has had a long time to develop its separate characteristics.
The Island jay is over all bigger (the beak especially so), the plumage is brighter and bluer and its cheek is near-black instead of gray.
Sometimes it’s only a few thin bands of water dropping 164 feet. Other times it’s a gossamer tracery of water more mist than substance. It nourishes families of mosses and ferns growing on its walls. Only after a rain, does Nojoqui Falls aspire to something grander.
The falls (pronounced NAW- ho – wee) are named for a Chumash village “Naxuwi” once nearby.
When my granddaughter asked me what I wanted for my birthday, I said: “A day trip with you.” We talked about where and decided on a drive up the coast and inland to Nojoqui
Falls County Park, and then lunch at one of the good places in the Santa Ynez Valley. I wanted to walk along a creek and possibly even see falling water while it was still spring.
Driving up along the coast is a treat in itself. Once you’ve cleared the outskirts of Goleta you are in full view of the ocean and if the day is clear enough, you can see the profile of the islands on the horizon.
On the right, the Santa Ynez Mountains make a formidable barrier to the sea and its cool breezes. We passed three beach parks. On the landward side of the freeway, the beaches become canyons. Though beautiful on its own, the landscape stimulated memories – El Capitan Beach where grandson Stuart always wanted his birthday to be celebrated with a campout.
Just beyond Refugio Beach, the highway swings inland where ahead, the mountain wall is pierced by the Gaviota Tunnel. I thought about all those years when Santa Barbara could only be approached easily from the south.
At the sign “Nojoqui Falls County Park,” we left the noisy highway and dropped down to the Old Coast Highway and Alisal Road to the peace and quiet of farmlands. Once horse pastures, organic produce now grows in the soil enriched by manure.
Skirting the western edge of the mountains, we rounded the corner to the lush, north-facing slopes, the rainiest place in the county. How different from the south-facing slopes above Santa Barbara where the mountain slopes are dominated by bare sandstone and chaparral.
When we turned into the park with its broad meadow and a scattering of trees, Caroline said: “This reminds me of Yosemite Valley.” I could see her point except that when every detail of a beloved place like Yosemite is so perfectly embedded in my memory, nothing can compare.
We drove up to the end of the road where a few cars were parked. At the base of the canyon, a short trail leads up to the falls.. Starting up the trail I was transported to the Berkeley Hills where bay trees also form arches of fragrant leaves and the sun shines through the thin leaves of the big-leaved maples. The creek burbling over dark rocks reminded me of the dark-gray basalts of home.
The final ascent on stone steps to the base of the falls looked damp, making them especially perilous for my old legs. A bench at their base invited me to sit a while, let my granddaughter
Purple Martins are our largest and highest-flying swallow. They perform breath-taking acrobatics when hunting insects. At the park, martins ignore man-made boxes in favor of holes in the sycamore trees.
Three weeks later with Berkeley birding friends, Bob Lewis and his wife, Hanno, we returned to Nojoqui Falls park to find the Purple Martins. Bob is sitting on the left. The heap on the right is actually me lying on my side watching martins in flight. Stretched out, has become my preferred position for watching birds of the sky and for general cloud-spotting.(I highly recommend to others who love clouds “The Cloudspotter’s Guide by Gavin Pretor-Pinney – the founder of The Cloud Appreciation Society)
Now we will be leaving the park to the summer crowds, returning in the fall to see the winter birds like the beautiful Varied Thrush.
If you have lived a natural life say as a manzanita bush on the slope of the San Ynez Mountains you will understand the true meaning of summer. You will have grown new foliage or lengthened the leaves you have during late winter or early spring. You will have flowered and welcomed the bees. Now the flowers have turned into fruit, it’s time to let them ripen in the warm sun of the long days. It’s a season for repose or maybe deepening, as your tap root reaches down further to find water.
After such a sumptuous winter how could it not be – a perfect spring.
I came to Santa Barbara to live in September 2013, the second year of the drought. The landscape was dry, but as a native Californian, I expected dryness. The winter rains the next two years were scanty. Not only did the garden lawns die by intent, but landscape and street trees began suffering. Many of the redwoods, never a good choice for this semi-arid climate, were dying. The conifers were the hardest hit. The native ponderosa pines on Figueroa Mountain all succumbed, probably weakened by the drought and then attacked by the deadly bark beetle. To try and save street trees, the city attached green plastic reservoirs to young trees which slowly released water to the roots.
Maybe several times during the winter, enough rain would fall to feed the headwaters of various creeks. Mission Creek with its springs high on mountain sides above the Botanic Garden came briefly to life with muddy torrents of water which rushed down the dry creek bed. Quickly depleted, the flow stopped and by the second day, the creek became isolated pools. By the third day, the creek disappeared all together.
With the return to silent stretches of dry rock, my spirits fell. I realized again how above all the landscape features – hills, mountains, valleys, and especially the noisy, restless ocean – it is creeks I love the best, for their cheerful sounds and their ability to be a magnet for surrounding life.
Spring in California is mostly about wildflowers, but in one of the ironies of a wet spring, grass and weeds growing tall often concealed the flowers. Figueroa Mountain had some nice displays, particularly where lupine grew on perennial shrubs or where poppies grew on serpentine soil which inhibits the rampant growth of grass.
But it is in the exuberance of the commoner plants that I saw the results of a wet winter. The wild oats, now going to seed are waist high, and must compete for space with wild radishes and Italian thistle.
After four years of drought that tested their endurance, allowing no luxury like new growth, live oaks this spring were transformed with explosions of tender bright green leaves. The shiny leaves concealed the coarse and somber, dark green foliage, some of which could now be shed.
Live oaks are the most abundant native tree of Samarkand, Oak Park and most lowland locations.
Best of all was to see Mission Creek behaving like a real stream, not with just the episodic flow of two days that followed a rain during the preceding drought years. My morning ritual was to look through my binoculars into the small gap between the trees where I could see the overlapping brightness of moving water. The stream had a rhythm, sometimes squeezing around rocks making music and then released, spreading out in quiet pools, before being narrowed again. I think I could write a score with the proper notations.
I imagine my father, who grew up near Oak Park, capturing tadpoles with a net, or creating a new flow by rearranging rocks. When the flow was strongest, he and his buddies, no doubt, fashioned boats and then ran along the creek edge to see how they fared.
Two weeks after the last rain in March, the flow began to shrink, imperceptivity at first. But now in mid-April the creek has disappeared. Or, perhaps it flows beneath the surface still accessible to the roots of trees.
Speculation has already begun about next winter. Through summer and early fall, conditions appear to be “neutral” with early signs of building El Nino conditions beginning later in the fall. In most years, a strong El Nino brings generous rains, but not always. Speculation, especially about future weather, is irresistible especially for weather buffs like myself.
When one of my friends fell on an icy path this morning and Gibraltar Dam flowed into its spillway, the first time since 2011, I decided that winter could not be ignored.
I hadn’t considered writing about Santa Barbara in the winter thinking that the season had been mostly passed by in these years of drought. Then yesterday, December 23, we had a storm that was worthy of qualifying as a winter storm in every way. The day began with a thin cloud cover which built during the morning to promising layers of clouds and brief gusts of wind, which by noon led to rain. After slacking off in a way that I had become used to during these dry years, the rain built again as if to defy my pessimism. By mid-afternoon the rain built to a real gully-washer. I was lucky enough to be in my car so I could enjoy splashing through flows of water at every intersection and best of all, seeing Mission Creek coursing down its creek bed after so many months of being bone dry.
From the sound of my bamboo wind chimes during the night, I knew the storm had passed to the east and the wind had shifted to the north as it does along the coast after a rain storm. The cold wind continues today pushing around remnant clouds, now empty of their contents.
I know storm must follow storm to make the creek a winter feature and the soil be soaked enough to start recharging the depleted water table. Lake Cachuma which lies in the valley between our mountains, the Santa Ynez, and the higher range to the east, is the reservoir which holds our water supply. At present, it’s almost no lake at all, having shrunk to less than 7% of its capacity. Vultures have taken to roosting on the rim of the dam.
December ended with the rainfall slightly above normal.
January was another matter altogether thanks to massive storms brought across the Pacific by an atmospheric river — a new word in my weather lexicon. An atmospheric river can be several thousand miles long to a few hundred miles wide. Drawing up moisture from near the Hawaiian Islands, the warm air can transport large amounts of rain. It’s what we once called the “Pineapple Express.’
The atmospheric rivers produced five days of good rains. At the end of January, rainfall for the month was 8.96 inches rather than a normal 2.86 inches. Even the lawns, most of which were allowed to go brown over the summer and fall, were green again.
The rains continued intermittently until Friday, February 17. The papers were advertising that the biggest storm of the season was on its way. Over the years, I have learned to be suspicious of such a build-up which often leads to disappointment. I believe in sneaker storms – the ones which arrive with little or no advance warning. That may be the old days before sophisticated weather-measuring equipment and computers, which can put together predictive models, eliminated much of the guesswork.
At 5 AM heavy rain was falling, serious, confident rain. By mid-morning the velocity of the rain continued to increase. Coarse and dense raindrops were being driven by gale winds from the south-east. By early afternoon, the rain had slackened enough to allow me to drive down to the Mission Creek just below us. Others had already gathered. Some of us stood on the bridge itself which was trembling with the force of the volume of water pouring a few feet beneath. On the opposite side of the bridge where the stream bed is narrowed by rock walls, boulders were being slammed together. The percussive, booming sounds resembled thunder. Some people, unnerved by the violence, hurried back to their cars. As a fan of such drama, I stayed put.
The storm finally moved on leaving 5-inches of rain downtown and heavier amounts on the mountain slopes. Mission Creek up Mission Canyon left its stream bed and temporarily carved out a new route. Further engorged by a cargo of mud, the stream poured over the old Indian Dam.
The gift for me was that Mission Creek became a real stream, a winter stream which flowed for weeks on end, not just for a day or two after a rain.
Now it’s early April and the creek has ceased to flow. It survived for few more days as isolated pools, until it disappeared altogether. I like to think that it continues to flow underground bringing moisture to the roots of the sycamores and to the other streamside plants.
Rattlesnake Creek, a tributary of Mission Creek in flood conditions.
Credit: Ray Ford
(Please note the material following the video is not part of this presentation.)
Take this week – in the middle of October. All day the clouds continued to build up against the mountains. And at bedtime, I heard an unfamiliar sound. Opening the door, I was surprised by rain. Pulling open the window next to my bed, I fell asleep to the comforting sound of rain falling, while breathing in that indescribable fragrance of earth refreshed. The morning that followed was the freshest we’ve had in this endless season of harsh drought.
By Wednesday, the temperature rose to 95 degrees, the humidity descended into the single digits, the red fire danger flags were posted. By the weekend the scene changed again. I could joyfully proclaim fall as it should be – a sky full of clouds of every shape in shades of gray and white. I’ve cracked open the door so I can feel the cool breeze and hear the birds as I work on my computer.
Nothing energizes the bird population like a change in the weather, especially when there is the possibility of rain. If you trust forecasts, rain may be moving our way, coming from the north, the most reliable direction.
Being an incurable nostalgic I remember days like this in the Bay Area we called the “second spring.” The first rain of the fall brought up sprouts of green grass on the hills, certain native plants set buds or even bloomed, and the birds began singing again. I guessed that maybe they were fooled by day and night equaling in length, the way it did during the spring equinox.
More knowledgeable birdwatchers than me, call this “second spring” “Autumnal Recrudescence,” a word new to me. Looking the word up, I read that it was most often a medical term meaning the return of an illness after a remission. Or it could mean the recurrence of an unpleasant feeling like doubt.
Naturalist give the word a happier meaning.
The Autumnal Recrudescence of the Amatory Urge
When the birds are cacophonic in the trees and on the verge Of the fields in mid-October when the cold is like a scourge. It is not delight in winter that makes feathered voices surge,
But autumnal recrudescence of the amatory urge.
When the frost is on the pumpkin and when leaf and branch diverge, Birds with hormones reawakened sing a paean, not a dirge. What’s the reason for their warbling? Why on earth this late-year splurge? The autumnal recrudescence of the amatory urge.
-Written by Susan Stiles, copyright December 1973
After the mostly silent late summer, I was delighted with the bird chorus. I also attributed it to the completion of energy-robbing activities like nesting followed by molting where in most species, every feather had to be replaced with a new one.
The arrival of the winter residents certainly energized the local, year-round population. The regulars and newcomers set about declaring and defending their winter territories.
Wanting to better understand fall in Santa Barbara sent me back to Joan Lentz’s “A Naturalist’s Guide to the Santa Barbara Region,” my bible on all things local. She says that the distinction between summer and fall is more pronounced than between spring and summer. Enter our old friend or nemesis The North Pacific High. If the atmosphere behaves as it should, this zone of high pressure which held sway over the summer, producing the northwest winds blowing down the coast and causing coastal fog, should begin to move south following the sun. Winds cease and with them the fog. A rain may even sneak through as it had last Sunday evening. With less fog, the skies are clearer and the blue skies are a palette for the extraordinary clouds of fall.
In the Berkeley Hills where I’ve lived most of my life, we especially dreaded the August fogs with their frigid winds when the gloomy, damp overcast could persist for days on end. When late September brought relief, we were ecstatic. Both in the Bay Area and in Santa Barbara, fall winds sometimes blew from the north and northeast, coming from the Great Basin, bringing the odors of sage and when passing over the mountains, the tangy smell of conifers.
Though Santa Barbara, by its location and topography, is spared the full impact of the Santa Anas (unlike the LA basin), we often have the offshore winds, heat, and lower humidity.
In my drives around town I look for autumn color to further affirm the change of season. Sycamores, which grow wherever there is a little ground moisture, have been dropping leaves all summer and even in the best of years are only a dusky gold, showing their best color when back lit by the sun. Liquidambars, also called sweet gum, a native to the southeast, are beginning to show their autumn color, but we will have to wait until late November for their best display.
Weary of my endless comparisons between Berkeley and Santa Barbara, my daughter decided it was time for a drive over the mountain to the Santa Ynez Valley, for a change of scene. And change of scene, indeed! What a difference a mountain range makes. The Santa Ynez Valley is hotter in the summer and colder in the winter. The continental influences prevail, moderated somewhat by the proximity to the coast and the ocean. But the sub-tropical trees in Santa Barbara’s parks and gardens would not succeed here.
This is the wide-open country of vineyards and olive orchards where the horse is king. Some ranches provide individual horse casitas with white stucco walls, tiled roofs, and individual corrals.
And, yes, I did find the color I was hoping for in the bright yellow cottonwoods growing along the dry Santa Ynez River watercourse. We like to be drenched in the fall brilliance of yellows, oranges, and red – this intoxicating dazzle – the final flaring before the bare trees in the dimming light and short days of winter.
But what pleased me the most were the ambers of the vineyards, the pale grasses long spent and all the other shades of gray-greens, ochers, umbers and shades of color for which I have no names — and the swirls and small bunches of white clouds against a soft blue sky.
Once I yearned to live in open country with only distant neighbors if any at all, under a curving sky with stars beyond counting, winds that travelled long distances unobstructed, and the distant yips and howls of coyotes.
But I was content enough to return back over the mountain, to the marine air which is kinder, and to a town of neighborhoods where lights in other windows comfort me. On the weekends, music and voices of children come up the hill from the city park below. Once the winter rains begin, I will hear the music of Mission Creek.
Yesterday, at the end of the month, the clouds thickened during the day. In the afternoon, a few large drops fell. The air felt dense and heavy, maybe rich in negative ions which some say lifts the spirits.
Around 3 am, we awoke to a long roll of thunder. For the next hour, lightning and thunder alternated, until the lightning seemed to rip open the heavy undersides of the clouds releasing a torrent which in a few minutes left behind a half inch of rain. At the end of the day, the clouds had retreated back to the mountains.
It appears that at last I have the intemperate Santa Barbara I had expected – a Santa Barbara of sundowner winds gusting down canyons, landslides, firestorms and debris flows, floods, thunder ricocheting off the
mountain sides, and on the coast, high surfs which rearrange beaches.
Is this the fall and winter which will end the drought? Such secrets are closely held. In the meantime, I look often at the sky, sniff the air, and even conger up promising clouds. It can’t hurt.
I’m drawn to canyons with their cool shade and generous vegetation, especially in this dry, mostly mountainous country of sun-struck rock.
And so is all life. Birds and other animals come to where there is moisture, abundant food, and places to raise young.
The view from my apartment above Oak Park
I look northeast to the Santa Ynez Mountains. The mountains are a transverse range, one of several ranges so named because they trend east and west rather than the usual north-south of most coastal mountains. The town of Santa Barbara occupies the narrow alluvial plain between the ocean and the mountains
The mountains are composed mostly of pale sandstones often embedded with fossil shells from the distant past when the mountains were under a warm sea. Reflecting the low winter sun and protecting the region from the chilling north winds, the mountains have a profound effect on the local climate.
My bedroom window perfectly frames Montecito Peak, the most symmetrical of all the named Peaks. At midday, when the mountains are evenly lit, they resemble a jigsaw puzzle of pale rock and mats of olive green chaparral. I look hard to try and distinguish a canyon, but it’s when the sun is low in the sky before sunset that the mountains reveal their contours. Purple shadows fill the canyons while ridges and peaks glow in the late light. I learned by studying a map that the deep shadow in the saddle west of Montecito Peak is the top of Cold Spring Canyon.
Most canyons have a stream, often an ephemeral one which appears only briefly after a rain. Others, like Mission Creek, are considered perennial, but in fact water persists only in the foothills and mountains. Because of the steepness of the Santa Ynez Mountains, most streams, beginning as springs near the top of the range, may drop four thousand feet from their headwaters in a few miles to where they join the Pacific Ocean.
My plan was to hike several of the canyons so I could write about them with affection and authority. On my first try to the San Ysidro Trail on the almost level Ennisbrook Trail, I fell and cracked my ribs.
I saw two solutions – send my two grandchildren with their stout hearts and strong legs into the canyons where they regularly walk. Or I could narrow my canyon and stream observations to Mission Creek, one of the most accessible of the perennial stream which runs (when it does) through Oak Park just below my apartment. So Mission Canyon it is.
Mission Canyon and its Creek
Mission Creek and its canyon have a rich history dating back to the Mission days in the late 1700’s when the waters were captured behind a stone dam built with Indian labor in 1803 and stored in sandstone reservoirs just above the mission itself. The water irrigated the sloping garden of fruit trees, vegetables and wheat. When Spain defeated Mexico in 1830, the missions lost their authority and most of the Indian labor. The garden quickly fell into ruin along with many of the adobe buildings.
Like most of the streams which flow down the south slope of the Santa Ynez Mountains, Mission Creek begins as springs near the ridgeline and then emerges as a series of cascades and pools, accessible from the Tunnel Trail.
Following James Wapotich’s directions in his weekly “Trail Quest” column in the News-Press, I located where the Tunnel Trail begins along East Camino Cielo Road, just beyond the intersection with Gibraltar Road. The trail is marked by an aging metal sign and three large boulders across the dirt road. The trail – the dirt road – continues just beyond the level section when it becomes a narrow trail dropping steeply down to where Mission Creek begins. The Falls are a popular destination for hikers, most hiking up from Tunnel Trail off Tunnel Road. I’ve never hiked up far enough to reach the falls so I have to rely on the reports of others and the photos they took.
At The Botanic Garden
It’s in the Garden where most of us become familiar with Mission Creek. Before the present four-year drought, regular releases from the Mission Tunnel (which brings water from Gibraltar Reservoir to Santa Barbara) kept the creek refreshed, so one season seemed like another. Now the stream is mostly small ponds, growing green with algae.
Standing on the uneven stones at the top of the Indian dam is a good place to look up and down the steam and to admire the
feat of building the dam with hand labor. Once, the stored water was carried down stone aqueducts to the Mission where it not only provided irrigation and drinking water, but filled the stone basins (still there to see above the Rose Garden) where hides were soaked prior to tanning.
Rocky Nook Park
A couple of blocks above the Mission is a charming county park – known by the locals simply as Rocky Nook. And rocky, indeed. Boulders, scattered generously everywhere, were deposited a thousand years ago by a debris flow that roared down the canyon depositing boulders along the way. A Chumash Indian legend says the boulders are the bone remains of the Indians
drowned by the slurry of water and sediments. I felt as if I were photographing family groups. In late May at the
beginning of the long dry season, the creek is surprisingly active though its flow will most likely decline as the season advances.
At Oak Park
Since I moved to Santa Barbara three years ago, a four-year drought has reduced Mission Creek at Oak Park to mostly a dry creek bed. Only after a rain of an inch or more would the creek come to life as a muddy noisy, torrent which finally reaches the sea by curving a path across the beach just south of Stearns Wharf.
Within a day, the creek at Oak Park becomes a series of clear pools joined by rivulets of gurgling water. It is then that I walk slowing along its banks, imagining the water circulating through my veins, refreshing my worn and tired body. And I would then know deep peace. The following day, the creek disappeared leaving behind only drying mud where the pools had been.
The creek bed once again is laid bare and often weed-filled. By late spring, the stream even in the foothills at the Botanic Garden, is often reduced to a few algae-filled pools.
Mission Creek leaves its canyon just below the Garden where it is joined by Rattlesnake Creek. Together they meander several miles across the gently-sloping plain (called by geologists an alluvial fan) to the ocean. Over the years, the creek has flooded the town several times during the rainy winter months.
My father, who as a boy lived between Oak Park and Cottage Hospital, remembers those
times when the only high spot in their neighborhood was their garden, where the neighbors came and stood until the flood waters receded. During the floods, the creek waters filtered slowing down through the rock and soil replenishing the groundwater. Today, the creek, often contained by concrete sides, seldom floods, so it flows directly into ocean carrying with it pollutants, often closing for a time the surrounding beaches as unsafe for swimming.
Oak Park is not a nature park, it’s a people park where neighbors walk their dogs and on weekends, it’s crowded. Piñatas are hung from the oak branches, musicians tune their guitars and horns, kids play in noisy swarms, and men sweat over the barbecues. In the winter when the days are short and sometimes rainy, Oak Park returns to a more natural environment.
Mission Creek Outfall
Most of the year, the creek trapped behind its sand berm from continuing to the ocean, forms a quiet lagoon favored by water and shorebirds, especially during the winter. When the creek is in flood stage, it carves a curving course through the sand to the ocean.
My love of canyons goes back to a childhood living in the Oakland Hills. There were no houses across the street because at the bottom of the slope was an electric train, part of the Key System, which ran across the Bay Bridge to San Francisco. The dense slope on the other side of the track was a no man’s land until I was old enough to venture further afield. What drew me there was an ethereal bird song, I didn’t recognize.
The slope was too steep to navigate on foot so I slid on my behind through what I would later discover was mostly poison oak. After an almost vertical slope of slippery clay, I found myself at the edge of a creek. And there was my bird, silent now, who fixed me with it’s round eye, made even rounder by a circle of white feathers. Late in the spring, the creek was reduced to a series of dark pools, laced together by threads of running water. Water striders skated across the surface while dragonflies darted about occasionally touching the water.
I couldn’t stay away from this newly discovered world until a painful rash spread across my body after each foray.
I later learned that the creek was called Trestle Glen Creek or Indian Gulch Creek named for the Ohlone villages along its margins. Instead of flowing into the ocean, the creek brought its water to Lake Merritt, a tidal sanctuary with an amazing array of winter water birds, attracting enough attention so it became the first waterfowl sanctuary in the country.
In my twenties, we moved to the Berkeley Hills and my stream became Strawberry Creek. The stream like so many coastal streams rose in springs near the top of the Berkeley Hills, flowed through the Botanical Gardens, which I came to love and where I meet a dear friend and with him led monthly bird walks. The garden was paradise and a number of birds thought so too. In the spring, the bird song was almost overwhelming. Thrushes again, including the dearest of all – the American Robin, the Black-headed Grosbeaks, Warbling Vireos – on and on – singing an intoxicating symphony of melodies unlike any other stream canyon I know.
I have also learned a new concept for understanding ones place on the planet by determining ones watershed. Our house was on a slope near the top of the Berkeley Hills where the most of the water drained toward Strawberry Creek which I liked to claim as defining my home place.
Since moving to Santa Barbara three years ago, my watershed is unequivocally Mission Creek, as was it for my parents who lived nearby more than a 100 years ago.
Phila’s Team: George Dumas, Webmaster Nancy Law, Editor Roger Bradfield, Artist
It sits looking
Over harbor and city
On silent haunches
And then moves on
I’ve lived in coastal California for all of my 87 years, so you think by now I would have developed at least a tolerance for the fog which arrives each summer. But I’m one of those unfortunate people whose moods are dictated by the weather. Awaking to sunshine fills me with good cheer. A gray beginning sets a similar mood for the morning.
Yes, I’ve heard the arguments – fog delivers at least some moisture in this driest of seasons during perhaps this most serious of droughts. And the cloud cover protects plants from the desiccation by the summer sun.
I’m also aware that taking the perspective of a naturalist delivers me from being a victim of moods (moods are nice enough when they are cheerful ones). I’ve spent the last few days doing research, reacquainting myself with my library including historical books like “Up and Down California,” Brewer’s fascinating account of doing a geographic and geological survey of the state in the 1850’s, and going a century back to the classical account of California’s coast by Richard Henry Dana in “Two Years Before the Mast.” I’ve also been mining Google for gems of information.
Dana didn’t mention fog as he was more concerned about the winter when the anchored ship could be caught by a southeast storm gale and be blown ashore before they could set sail for the open ocean.
At the risk of sounding pedantic, here are some basic facts. Our fog – advection fog – comes mostly in the summer months when the Northern Pacific High is in command. That zone of high pressure that squats over the eastern Pacific, fends off storms that might come in from the north, and establishes summer wind patterns. In the late spring and early summer, the wind picks up speed and blows down the coast. The wind displaces the warmer surface water causing an upwelling of the deeper, cold water. When the warmer wind passes over the chilly water, the moist air condenses into tiny liquid droplets suspended in the air, forming fog.
Often the fog is drawn inland by the low pressure lying over the hot the Great Central Valley. The fog usually retreats back to the immediate coast where it may persist all day, and sometimes for days on end. In Santa Barbara, those foggy days may be called May Gray or June Gloom. In Northern California the winds and chill air at Pt. Reyes makes it one of the foggiest places in the world with an average of 200 foggy days a year.
I favor those late summer and early autumn days of decreasing coastal fogs when the Pacific High begins to slowly shift south allowing for the possibility of an early rain coming down from the north. Or when humidity sometimes moves north bringing the possibility of a thunderstorm and wonderful cloud effects. Exotic weather heightens one’s senses.
I’m also reading about how coastal fogs along the north coast have allowed the redwood forest to persist. Once, when the climate was much wetter, redwoods were common over much of the continent. But as the climate became drier and cooler, the redwood forests retreated to a narrow band along the immediate coast of Northern California visited by ocean fogs in the summer.
I once read that sunny California has more fog than any other state when you consider that the coast in the summer is often foggy and in the winter, damp, ground-hugging tule fogs covering the Great Central Valley can blot out the sun for days on end until the next rain storm sweeps the fog away for a time. The so-called radiation fog often follows the rain when the earth is both chilled and damp and the drier air above it condenses, forming fog. I remember once driving across the Sacramento Valley at night and I could see that the fog came up to the cow’s belly, leaving its head in the clear.
Back to Santa Barbara: In his journal; ”Up and Down California” William Brewer writes on Tuesday, March 12 (1861). “Still foggy and wet. This weather is abominable – now for nearly two weeks we have had foggy, damp weather, tramping through wet bushes, riding in damp, foggy air, burning wet wood to dry ourselves, no sun to dry our damp blankets. I find that it makes some of my joints squeak with rheumatic twinges. Went out this morning, found it so wet that we had to return to camp”.
Five days later on Sunday Evening, March 17, he writes: “We have had a clear hot day, after two week’s fog, and have improved the opportunity to dry our blankets and clothes, botanic papers, etc.”
I don’t recall in my four years of living in Santa Barbara of having a foggy spell in March. What does ring true is the strength of the sun. Even on foggy days, as the fog begins to thin one can feel the heat of the sun. I remember being warned as a child, that I could be badly sunburned by the sun in a light fog.
I’m not sure about this, but it’s my impression that the west coast of the continents at our latitudes often have summer coastal fog. In the case of Peru, Chile and Namibia in Africa, these are deserts with little or no rain, and no surface or groundwater. A certain Namibian beetle sleeps with its hindquarters raised and in the morning shifts its position to allow the condensed moisture to run into his mouth for a drink. Incas, living on the barren slopes off the west-facing Andes, after observing that pots under shrubs and small trees filled with fog drip, learned to string up nets made of small mesh which would sift drifting fog, collecting up to a hundred gallons a day.
In the Bay Area where I lived, researchers measured in the rainless summer the equivalent of 10 inches of rain under the pines and eucalyptus along the ridgeline of the foggy Berkeley Hills. I noticed how on my summer walks in the grasslands, yellow and dry by May, I could count on a circle of fresh green grass within the drip line of each tree. The long narrow leaves of the eucalyptus and the slender pine needles did an especially efficient job of combing out moisture from the drifting fog.
Why not string a series of nets along Twin Peaks in San Francisco? Unfortunately such a meager harvest could only supply the needs of a small neighborhood. But there are small villages in the arid west coast of South America and elsewhere, where enough water was collected with fog nets to grow crops, irrigate orchards and have enough left over for personal use.
One such community is Bellavista, a village of 200 people on the dry slopes above Lima, Peru. With almost no rain, no river, or groundwater, the village had to be served by anto expensive water trucks from Lima.
Conservationists Kai Tiederman and Anna Lummerich, working with a non-profit supported in part by the National Geographic, showed the villagers how to construct the fog catchers — nylon mesh stretched between poles. The villagers did the heavy work, carrying sand bags 800 feet up the steep hill to stabilize the poles and to build pools to store the collected water. With the wind blowing the heavy fog through the nets they can now collect 600 gallons a day.
The newly-planted 700 tara trees will be able to eventually collect their own water. Tara trees produce valuable tannin.
Okay, I’m convinced. Bring on the fog and no more grumbling about gray mornings.